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    <lastmod>2024-07-21</lastmod>
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      <image:title>Exhibition Photos - Hanging Shells</image:title>
      <image:caption>Arkell National Juried Exhibition 2012</image:caption>
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      <image:title>Exhibition Photos - Inner Light</image:title>
      <image:caption>Connecticut Academy of Fine Arts 102nd Juried Exhibition 2013</image:caption>
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      <image:title>Exhibition Photos - Stained Light on Moorish Arch</image:title>
      <image:caption>5th Biennial of Fine Art &amp; Documentary Photography 2018</image:caption>
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      <image:title>Exhibition Photos - DNA Carved in Stone</image:title>
      <image:caption>Connecticut Academy of Fine Arts Photo+ 2022</image:caption>
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      <image:title>Exhibition Photos - Wonder</image:title>
      <image:caption>22nd Edition of Julia Margaret Cameron Award Women's Photography Finalist 2024</image:caption>
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      <image:title>Exhibition Photos - Celtic Trophies</image:title>
      <image:caption>20th Edition of Julia Margaret Cameron Award Women’s Photography Finalist 2023</image:caption>
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      <image:title>Exhibition Photos - Great Blue on the Mohawk</image:title>
      <image:caption>5th Biennial of Fine Art &amp; Documentary Photography 2018</image:caption>
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      <image:title>Exhibition Photos - Resurgence</image:title>
      <image:caption>Arkell National Juried Exhibition 2012</image:caption>
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      <image:title>Exhibition Photos - Aqua Waters in the Gorge de Verdon</image:title>
      <image:caption>16th Edition of the Margaret Cameron Award Women’s Photography Finalist 2023</image:caption>
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      <image:title>Exhibition Photos - Stairs to....</image:title>
      <image:caption>22nd Edition of Julia Margaret Cameron Award Women's Photography Finalist 2024</image:caption>
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      <image:title>Exhibition Photos - Cistercian Simplicty</image:title>
      <image:caption>Arkell National Juried Exhibition 2022</image:caption>
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      <image:title>Exhibition Photos - Dancing</image:title>
      <image:caption>Albany Pine Bush Juried Exhibition 2019</image:caption>
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      <image:title>Exhibition Photos - Hidden Gem</image:title>
      <image:caption>20th Edition of Julia Margaret Cameron Award Women’s Photography Finalist 2023</image:caption>
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      <image:title>Exhibition Photos - Watercolor 2 Umbrella Pine</image:title>
      <image:caption>Cooperstown Art Association National Show 2017</image:caption>
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      <image:title>Exhibition Photos - Eyeing Surf Series #1</image:title>
      <image:caption>17th Edition of Julia Margaret Cameron Award Women’s Photography Finalist 2021</image:caption>
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      <image:title>Exhibition Photos - Eyeing Surf Series #3</image:title>
      <image:caption>17th Edition of Julia Margaret Cameron Award Women’s Photography Finalist 2021</image:caption>
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      <image:title>Exhibition Photos - Steel Blue</image:title>
      <image:caption>7th Edition of Julia Margaret Cameron Award Women’s Photography Finalist 2015</image:caption>
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      <image:title>Exhibition Photos - Mirror of Reeds</image:title>
      <image:caption>Arkell National Juried Exhibition 2016</image:caption>
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      <image:title>Exhibition Photos - Wood and Light</image:title>
      <image:caption>Connecticut Women Artists 89th Annual National Open Juried Exhibition 2018</image:caption>
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      <image:title>Exhibition Photos - Green Stream and Stone</image:title>
      <image:caption>Arkell National Juried Exhibition 2015</image:caption>
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      <image:title>Exhibition Photos - Blue on Pink</image:title>
      <image:caption>Albany Pine Bush Juried Exhibition 2018</image:caption>
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      <image:title>Exhibition Photos - Le Thoronet</image:title>
      <image:caption>Still Point Arts Gallery and Still Point Quarterly 2017</image:caption>
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      <image:title>Exhibition Photos - Surfing Godwit</image:title>
      <image:caption>Still Point Arts Gallery Online 2016</image:caption>
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      <image:title>Exhibition Photos - Eye of the Hermatige</image:title>
      <image:caption>Still Point Arts Gallery Online 2015</image:caption>
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      <image:title>Exhibition Photos - Medieval Geometry</image:title>
      <image:caption>Still Point Arts Gallery Online 2014</image:caption>
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      <image:title>Exhibition Photos - Water Fire and Ice</image:title>
      <image:caption>Still Point Arts Gallery Online 2014</image:caption>
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      <image:title>Exhibition Photos - Eye to Eye</image:title>
      <image:caption>6th Edition of Julia Margaret Cameron Award Women’s Photography Finalist 2014</image:caption>
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      <image:title>Exhibition Photos - Mohawk with Evening Color</image:title>
      <image:caption>Stone Voices Gallery Online 2013</image:caption>
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      <image:title>Exhibition Photos - Rainbow Cascade</image:title>
      <image:caption>5th Biennial of Fine Art &amp; Documentary Photography 2018</image:caption>
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      <image:title>Exhibition Photos - Crimson Delight</image:title>
      <image:caption>International Gallery of the Arts Exhibition Online 2017</image:caption>
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      <image:title>Exhibition Photos - Greek Traffic Jam</image:title>
      <image:caption>International Gallery of the Arts Exhibition Online 2017</image:caption>
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    <lastmod>2019-09-08</lastmod>
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      <image:title>Photo Poems - Buddha in San Francisco</image:title>
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      <image:caption>Photographer’s Forum 38th Annual Spring Photography Contest Finalist 2018</image:caption>
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      <image:caption>Yorkshire Dales are my kind of poetry, an ancient landscape worked and reworked with keen eye and mind by farming generations for living’s sake. Only the ridges--- rough coats of moorland bracken flecked with heather--- are free from human touch. Upland fields spread shaggy as their sheep, midland fields gentle as pampered cattle. Woodlands swell, stone walls flow down to rivers that twist like thick jungle vines or sweet pea coils. Despite the rub through centuries, there’s grace between man and land, animal and rock, present and past. At Conistone gray wall set stone by stone gives more light than gray sky. Blackbirds hardy as flint in Littondale nest in rotted post holes of derelict barns. In Dentdale a gray heron drifts above late summer shallows, glides beneath a pack horse bridge, lands soft as down on sandy banks cleared with care by farmer’s hands.</image:caption>
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      <image:caption>Priestess at Delphi The charioteer in the museum looks stoned but never flew so high as the exemplary peasant woman seated on a tripod perched over a fracture in the ground, both ears cocked to hear Apollo’s pronouncements while inhaling earthy gases till her eyes glazed, heart raced, body convulsed and speech erupted in tongues for priests to interpret in words coherent, poetic, politic, ambiguous. The original huffer civilized.</image:caption>
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      <image:caption>Arroyo Hondo In Casares, the hill village of his birth, Blas Infante saw his people like crag martins twist and turn with chirps through plazas, streets, shops, watched them settle into sugar cube nests precariously perched in its cliff face. And he dreamed of them as eagles strong-beaked, taloned, free. I see here only the powerful bodies of Griffon vultures driven by bloodlust drift and glide in wind currents that control their every move. They rise late morning from distant mountain peaks to hiss and grunt over decaying flesh. Like the falange. Such is life in this gorged valley with its deep, profound stream.</image:caption>
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      <image:caption>Easter Monday Two old women shuffle through chilly morn to sing Catalan sorrows and joys. Bodies bowed in pain and reverence, each step on the uneven path a challenge met. Between cap on head and espadrilles on feet black shawls mourn, red dresses celebrate. In the village square a choir of friends helps to warm stones in winter walls, welcomes green shoots on vines that climb in unpredictable webs like history.</image:caption>
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      <image:title>Two Lenses—Four Europes</image:title>
      <image:caption>In the Nave of York St. Mary’s Blind springs search for light they nourish but never see. Flames flicker in glass cups, prick watery memory, stir souls housed in stone to speech.</image:caption>
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      <image:title>Two Lenses—Four Europes</image:title>
      <image:caption>Christian Light on Moorish Arch I never thought a rainbow stained until this glimpse in Mezquita, the Mosque’s heart defiled by Spanish opulence, its body shrouded in Baroque stone. No longer can its Roman columns planted with precise measuring rods be a heavenly woodland open to courtyard trees leafed emerald and laden with orange suns.</image:caption>
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      <image:title>Adragtul</image:title>
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      <image:title>The Absence of Light</image:title>
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      <image:title>The Absence of Light</image:title>
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      <image:title>The Absence of Light</image:title>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Beneath the Midi Sun</image:title>
      <image:caption>Dolmen Huntress She’s off again this morning armed with phone to track rocks on Minerve’s limestone plateau, find every tiny amphora icon on her GPS screen. Above gorge and beyond vineyards kermes oak, shrubby boxwood, and asphodel go unnoticed; scents of thyme, lavender, orchid waft too subtle for her to trace. She has no interest in raptors overhead or hints of boar on the path. Her passion simply bare-bones of stone, the ways they stand, lean, have fallen. Ceremonial sites stripped naked of tumulus, chambers hollowed of artifacts, capstones seemingly lifted by goliaths. She can never know the people or why they labored like oxen five thousand years ago to anchor each megalith, set in place each block. Praise be the mysteries of rock and man.</image:caption>
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      <image:caption>Last Days with the River Arc It was play when Cezanne and Zola swam as boys in this river, skipped stones over ripples Monet would have loved to paint. It was hard work for the old man seated hunched on its cool bank the last blistering summer of his life, hump-backed bridge above a scythe to set aquiver leaves of trees and blue, yellow, violet brushwood at river’s edge. In his atelier in Aix on a mechanical easel those trees anchored in that bank become an arbor to shade a community of women at lavation, their bodies angled like pines swaying above summer waters. The first nature, the second art. Both white heat to the painter.</image:caption>
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      <image:caption>Fine Work with Shears Trained trunks with two arms equidistant from each other sweep in perfect rows straight as rail tracks from roadside to impenetrable woodlands. In paths of clay and sandstone a husband and wife full-bodied as their dark red wine prune vines, quick-snip without mercy stems of doubtful character, cut errant tails of spurs back to three chosen buds for broad summer leaves to catch sun, for fruit to stain lips. Their labor easeful in this warm demi-Eden of little rain and strong winds where eugenics flourishes free of moral qualm.</image:caption>
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      <image:title>Beneath the Midi Sun</image:title>
      <image:caption>Bronze Portrait with Sunflowers Van Gogh cast mid-step walking to his room with kill in hands. Brows knit, corners of his mouth downcast like the sunflowers he carries. There can be no honest acceptance of his act, his heart despondent at how the flowers must pay for his art. Right hand fingers one gently, its seeded head weary of time bent toward the ground. Left hand grips four stalks cut razor clean, their heads cradled in his arm catching last breath. In the studio he’ll arrange them artfully, give them a glory they never had in fields, turn fading yellow petals with sun spots into solar flares of paint. But here a split second caught for a monochrome tribute to both flowers and painter who die like stars.</image:caption>
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      <image:title>Beneath the Midi Sun</image:title>
      <image:caption>The Monks of Le Thoronet worked and prayed, prayed and worked, followed strict St. Benedict as naturally as their monastery followed its slope of land. Lives distant from a world that devoured souls whole, a refuge inside rough walls with pure springs to nourish. Hands-on in garden, mill, bakery; hands pressed in silence for chapel. No figure on their cross, no icons to distract or weigh them down beyond a few palms, water leaves, flowers carved in the Chapter House. Liturgical chants in their church still echo off unadorned walls lit by clear glass. Engineered simplicity eight hundred years ago for light to sing with stone, stone with light.</image:caption>
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      <image:caption>Wood and Glass St. Bernard chapel on the manicured grass grounds of Fondation Maeght is not so austere as the saint would have liked. Nonetheless, he stands like a sentry outside chiseled in stone and thought for the wooden man inside. Christ unblemished. Body pristine, head without a trace of thorns, face tranquil in sleep deep as understanding. Braque’s dove flies above toward the waning moon, barely clears our natural world of tree in leaf, flower bed, pot of shoots.</image:caption>
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      <image:title>Time and Place * West and East - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Time and Place * West and East - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Time and Place * West and East - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Time and Place * West and East - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Time and Place * West and East - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Time and Place * West and East - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Time and Place * West and East - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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